A gif of the exhibition title, Ambrosia, in Hoss Sharp with various glyphs and images shuffling and replacing random letters in the word.

Sophie Nguyen

A glyph of a crayon.

part machine / part girl

part machine / part girl is a wire-o bound publication featuring a collection of poetry by Franny Choi as well as a series of lenticular prints loosely following the story of a cyborg servant girl who becomes sentient and seeks revenge on her makers and keepers who have mistreated her. In the end she aims to forge her own identity and purpose away from the systems and constructs that held her.

Franny Choi’s poems are an exploration of race, gender, and the intersections of technology and the human body. She alludes to Asian depicted cyborg women in movies and manga and how the functions of these characters reflect real life power dynamics and the objectification and abjectification of Asian women.

In science fiction media, Asian cultures and characters (if there are any) are frequently used for world building and/or as plot devices. These tropes are othering, fetishizing and xenophobic rather than complimentary. I was inspired by Choi rewriting the narrative to allow revenge and reclamation into these characters and their stories.

A scanned image of a series of five lenticular prints on the left of a wire-o bound book with a little holographic pocket ball-chained to the wire. The cover of the book depicts a cyborg girl with the title “part machine / part girl” in chrome letters. The lenticulars detail the story of the cyborg girl in five acts: reawakening, run for it, recruitment, revenge & renewal.
Handwritten signature from Sophie Nguyen in red.

she/they